The show at Vienna ’ s Secession in 1902 for example, the first celebration of the total work of art, in which everything was subordinated to the theme of the exhibition, Ludwig van Beethoven, with a sculpture of the musician by Max Klinger posing atop an octagonal plinth at the centre of the show designed by Josef Hoffmann.
It also cites the famed Armory Show in New York in 1913, where coarse sacking was used to divide the various sections of the exhibition, some octagonal.
Heimo Zobernig quotes the big exhibitions that were to become fundamental to the understanding of art presen-
www.museum-joanneum.atEs galt Ludwi g van Beethoven, gestaltet von Max Klinger, der im Zentrum der von Josef Hoffmann gestalteten Schau auf einem achteckigen Podest posierte.
Auch die berühmte Armory Show in New York 1913 ist hier zitiert, wo man grobes Sackleinen zur Unterteilung der Ausstellungsflächen verwendete, darunter auch solche mit oktogonalem Grundriss.
Heimo Zobernig zitiert die großen Ausstellungen, die grundlegend für das Verständnis von Kunstprä- sentationen des 20. Jahrhunderts wurden.
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