eines Sportplatzes am Pier 40 in New York zurückgelassen haben.
Orozco präsentiert diese Unmenge von Gegenständen – darunter Münzen, Turnschuhlogos, Fußballteile, Bonbonpapier, Kaugummi und Fadenknäuel, wiederum fast 1 200 an der Zahl – auf einem großen Podest.
Wie in Sandstars werden neben den Objekten dreizehn Fotografien gezeigt, so dass die einzelnen Objekte visuell mit ihrer fotografischen Darstellung korrespondieren.
www.deutsche-guggenheim.deIt comprises a collection of miniscule bits of debris left behind by athletes and spectators in the Astroturf of a playing field on Pier 40 in New York.
Orozco displays these myriad items — including coins, sneakers logos, bits of soccer balls, candy wrappers, wads of chewing gum, and tangles of thread, again numbering nearly 1,200 — on a large platform.
As in Sandstars, the objects are displayed alongside thirteen photographic grids, creating a visual ricochet between an individual object and its photographic representation.
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