In addition, in the 1960s and 1970s, numerous filmmakers began exploring the possibilities of video and electronic image generation. [ 5 ] For Cycles ( US, 1974 ), for example, Belson collaborated with Stephen Beck, who had constructed a video synthesizer he used from 1972 onward to create and perform his Illuminated Music compositions, which he referred to as visual jazz.
John Whitney, Larry Cuba, and others experimented with analog computers in order to generate abstract forms.
www.see-this-sound.atIn den 1960er und 1970er Jahren begannen außerdem zahlreiche Filmemacher, die Möglichkeiten von Video und elektronischer Bilderzeugung zu erforschen. [ 5 ] Belson arbeitete beispielsweise für Cycles ( US 1974 ) mit Stephen Beck zusammen, der einen Video-Synthesizer konstruiert hatte, mit dem er ab 1972 seine Illuminated Music-Kompositionen kreierte und aufführte, die er als visual jazz bezeichnete.
John Whitney, Larry Cuba und andere experimentierten mit Analogcomputern, um abstrakte Formen zu generieren.
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