Eine bemerkenswerte Leistung bot er in der Rolle des Zorns des Geschlechts Capulet in Gounods Oper Romeo und Julia ( 1994 ).
Vom Nationaltheater ging er an das Ballettheater in München ( Saison 1998 - 99 ) , wo er z.B. in den Titeln Going to Dark , Stamping Ground , Kreaturen mitwirkte und der Autor der Choreographie von Triple Self zur Musik von Dmitrij Schostakowitsch ( 1999 ) war .
Darüber hinaus war er im Ballett Augsburg (1999) tätig, wo er die Hauptfigur in den Choreographien von Jochen Heckmann spielte (z.B. Shaker Loops, Tripping through the Blue, Sofa–Wanted).
www.czech.czHe gave a distinctive performance in the role of the “ Wrath of the Capulet Family ” in Gounod ’s opera Romeo and Juliet ( 1994 ).
He left the National Theater to join the Ballet Theater in Munich ( 1998-99 season ) , where he performed in such titles as Going to Dark , Stamping Ground , Kreaturen and also created the choreography for Triple Self to the music of Dmitri Shostakovich ( 1999 ) .
He has also worked at the Ballet Augsburg (1999), where he was the principal character in choreography by Jochenn Heckmann (e.g.
www.czech.czHe gave a distinctive performance in the role of the “ Wrath of the Capulet Family ” in Gounod ’s opera Romeo and Juliet ( 1994 ).
He left the National Theater to join the Ballet Theater in Munich ( 1998-99 season ) , where he performed in such titles as Going to Dark , Stamping Ground , Kreaturen and also created the choreography for Triple Self to the music of Dmitri Shostakovich ( 1999 ) .
He has also worked at the Ballet Augsburg (1999), where he was the principal character in choreography by Jochenn Heckmann (e.g.
www.czech.czEine bemerkenswerte Leistung bot er in der Rolle des Zorns des Geschlechts Capulet in Gounods Oper Romeo und Julia ( 1994 ).
Vom Nationaltheater ging er an das Ballettheater in München ( Saison 1998 - 99 ) , wo er z.B. in den Titeln Going to Dark , Stamping Ground , Kreaturen mitwirkte und der Autor der Choreographie von Triple Self zur Musik von Dmitrij Schostakowitsch ( 1999 ) war .
Darüber hinaus war er im Ballett Augsburg (1999) tätig, wo er die Hauptfigur in den Choreographien von Jochen Heckmann spielte (z.B. Shaker Loops, Tripping through the Blue, Sofa–Wanted).
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